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Tea with the ladies

 

Usually, Eleanor tried to hold herself above gossip, but today, in the early days of 1815, scandal and potential disaster hovered over the Haverford family like a wave that would wash away their safety and happiness when it fell. Listening to these acquaintances talk about the peccadilloes and peculiarities of other people was something of a relief.

“The Chevalier is so elegant, so aristocratic,” Lady Ramsunn enthused. “If I were younger, I would go to Bath myself! Lady Fortingham, your daughter Elizabeth might be just what he needs!”

“Who is the Chevalier?” Mrs Westinghouse inquired, and the other three ladies gave an enthusiastic description of his silver eyes and his perfect form. The Chevalier d’Aubusson had burst onto the London scene, and made a hit wherever he went, but now he had gone to Bath. To find a wife, rumour said. To avoid the theatre crowd, Eleanor rather thought. Those who attended to see and be seen by the fashionable crowd might not remember a certain actor who had held London in the palm of his hand before leaving to fight Napoleon. But they might. Eleanor did.

Eleanor said nothing. He would, or he would not, prove to be a bounder, but she had no profound objection to people trying to better themselves. Besides, he might have been an actor and still be entitled to an aged and defunct French title.

The conversation had moved on to the parlous state of the de Courtenay marriage. Everyone knew that Lady de Courtenay was in the country, while the earl moped around London drowning his sorrows. A forced marriage, the ladies agreed. Lady Celia, as she was then, had trapped Lord de Courtenay all unaware.

“Ridiculous,” Eleanor proclaimed. “Have you met Lady de Courtenay? Anyone less like a jade would be impossible to find. The earl is sulking, and someone should box his ears.”

That finished that conversation, but the next was even more fruitful: the dowager Countess of Wayford, and the new earl, recently returned from Italy. The poor boy was horribly scarred, and the stories about how he received his wounds only grew in the telling. Lady Wayford was not saying, but she made it clear that the new earl was a very unworthy claimant to the title formerly held by her beloved eldest son, Ulric.

“Not that anyone believes her,” Lady Fortingham declared. “He is beautifully spoken, and if his face is marred, his figure is excellent. Sad that ‘my darling Ulric’ left the estate in such disarray. Even an earl might find it hard to marry money with that face.”

Surprisingly, the reclusive mathematician Dr Hartwell was the next target of the ladies’ tongues. “Lady Ross declares he will speak at her house party,” Lady Ramsunn scoffed. “I will believe it when I see it. The man never leaves Oxford.”

Eleanor had seen some odd things happen in the vicinity of Lady Ross, but she thought even the power of the umbrella might not be sufficient to form a match for a man determined on the life of a celibate scholar. If Lady Ross found Dr Hartwell a wife, perhaps Eleanor would enlist her help with Aldridge! Certainly, he was not managing at all well on his own.

At long last, the four ladies left. The room seemed suddenly larger and lonelier. Silly though they were, they had taken her mind away from her troubles. She rang for the tea tray to be removed, and the butler entered, only to hold out a tray with a card.

Her heart lightened when she saw the name. “Show him up,” she instructed, “and bring a fresh tray.”

Chadbourn! He was her partner in a charitable venture to find places for those left broken and out-of-work by the recent war. Indeed, she hoped he had news of her latest proteges, who had been sent to Bath to work for a candle maker, a retired sergeant more lucky than most, as he’d inherited a candle works. She soon had the dear boy seated, and talking of his family, but it didn’t take him long to turn the conversation to the men she had hoped to save. “I hear good things from ‎Sergeant Marsh,” he told her, “but I intend to see him for myself in the next few days. I have been commissioned by my sisters to escort them to Bath. I will report on my return.”

She was sorry to see the young earl leave; if only she, too, could go to Bath. Meeting Sergeant Marsh, perhaps visiting Lady Ross, observing the Chevalier — that would be much more to her liking than what awaited her at Haverford Castle. Duty, however, must always come first.
The gossip was all about the heroes from Valentines from Bath. See the Bluestocking Belles’ website for more details and buy links.

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Valentines from Bath in Spotlight on Sunday

It’s here. Valentines from Bath is published, and I love it.

In five original stories, Jessica Cale, Sherry Ewing, Jude Knight, Amy Quinton, and Caroline Warfield bring you Valentines From Bath

The Master of Ceremonies announces a great ball to be held on Valentine’s Day in the Upper Assembly Rooms of Bath.

Ladies of the highest rank—and some who wish they were—scheme, prepare, and compete to make best use of the opportunity.

Dukes, earls, tradesmen, and the occasional charlatan are alert to the possibilities as the event draws nigh.

But anything can happen in the magic of music and candlelight as couples dance, flirt, and open themselves to romantic possibilities. Problems and conflict may just fade away at a Valentine’s Day Ball.

Find buy links on the Belles’ project page on their website.

Here are my brief thoughts about each story.

Beauty and the Bounder, by Jessica Cale

He’s a liar and a fortune-hunter… and exactly what she needs.

As usual, Jess gives us a completely different slant on balls, dresses, and bounders. Her heroine is too smart, too wary, and too invested in the idea of true love to have fallen for any of the suitors who were prepared to overlook her sharp tongue and her Welshness in favour of her dowry. But this fortune hunter might just have something more to offer. I adored this story. Lady Emilia was the right mix of wryly aware and self-deprecating, and Seb was a hero to die for.

The Earl Takes a Wife, by Sherry Ewing

It began with a memory, etched in the heart.

Sherry has returned to the de Courtney family, who featured in her Holly and Hopeful Hearts story a couple of years ago. In that novella, the hero’s niece, barely out of the schoolroom, asked the heroine’s brother to wait for her to grow up. The Earl Takes a Wife follows Celia and Adrian as they try to forget one another, until Adrian’s other sister Miranda plots to bring them together and almost destroys them. Celia’s innocence and sincerity don’t make her a pushover. I loved her determination to win the love match she wants, despite everything. Adrian acted like a prat for much of the story, but he had reason. He figured it out in the end, for a signature Ewing happy ending.

The Beast Next Door, by Jude Knight

In all the assemblies and parties of Bath, no-one Charis met could ever match the beast next door. 

Obviously, I’m not going to review this one. Here are my characters.

The Umbrella Chronicles: John and Emma’s Story, by Amy Quinton

A serious-minded, scientific man of learning seeks a complex and chaotic practitioner of all things superstitious who will upend his well-ordered life.

Another fine addition to the Umbrella Chronicles. John is endearingly bumbling in matters of emotion, which he avoids like the plague. Emma is refreshingly honest. She wants him, but she wants him to her as she is; his complete opposite in almost all things. Can too such different characters find love? Let Amy show you how.

Candles in the Dark, by Caroline Warfield

Doug Marsh and his candles bring light to many, none more than Esther. They may light the Assembly Rooms even as his love lights her life.

My favourite in the set, and the only one that doesn’t involve people who are part of the Bath social set. Esther works in the Assembly Room. Doug owns the candle manufactory. These are two lovely people from different worlds brought together by her urgent need and his kind heart. With her usual light touch, Caroline gives us real world problems with serious potential consequences, and then practical solutions that lead to a happy ever after and a deep satisfied sigh from this reader. Love will find a way.

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Will You Be My Valentine?

When the Bluestocking Belles first began working on a box set based around a Valentine’s Day Ball in Regency Bath, I had a few question. Was Valentine’s Day celebrated back then? How?

I knew the Victorians had hand written cards, and the Americans in the late 19th century brought in printed cards. And I knew Valentine was a Roman, killed for his faith and remembered for kindness to lovers. I didn’t know much else, but a bit of research soon put that right.

Wild Lupercalia

Long before the fifth century, when the three possible claimants for the story of St Valentine were around, the Romans had a feast in the middle of February that celebrated fertility. It included a ritual in which men killed animals and then used their hides to whip the women who lined up for the opportunity. The proceedings also including a jar full of names to pair men and women up for the duration of the festival – or longer, if they found they liked one another.

Valentine – but which Valentine?

When Christianity became the preferred religion, or so the theory goes, the bishops looked around for a replacement festival; one that wouldn’t involve quite so much blood and sex, but still let people have a good time.

They had a handy day already: 14 February was the feast day of three martyrs, both called Valentine. One was a fellow who refused to convert to paganism and was executed. According to legend, before he died he performed a miracle to heal the daughter of his jailor, and sent her a letter signed ‘from your Valentine’. Not much is known about the third, except that he died in Africa.

The other was a Roman priest who performed weddings for soldiers forbidden to marry, which in time led to the connection between St Valentine and lovers.

Beloved friends

At first, St Valentine’s Day was for celebrating any kind of love by showing affection. However, by the late fourteenth century, the idea of courtly love was in full swing, and the medieval author wrote a poem in which he firmly associated St Valentine and his day with romance.

As the years passed, the tradition developed. Lovers exchanged gifts, poems, letters, and handmade cards to celebrate the feast. Lovelorn suitors might give a Valentine’s Day token to impress the beloved. By the eighteenth century, the association of the saint between the saint and a wider definition of love had disappeared from England. But the association of the day and lovers was going strong, and it was only going to increase in the nineteenth century. In 1815, the year of our Valentine’s Day ball, such an event was entirely possible, and we can certainly expect our characters to keep up the tradition of giving hand-made tokens of affection to the object of their love.

It would be another thirty-five years before a entrepreneurial American woman would create the first print run of Valentine’s Day cards, but our story was feasible, and we were off.

~*~

Valentine’s from Bath releases on Saturday. Only 99 cents for more than 450 pages of stories. See the Belles’ project page for details. The blurb below is from my novella, one of five in the collection.

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Honest work on WIP Wednesday

One of the things I need to consider when forming my plots is ‘how does the character’s everyday job affect their time and their location?’ In the Regency era, peers of the realm worked: they’re sort of like the ceo of a company, in charge of the direction, making the tricky decisions, approving the strategy and the budgets. They were also eligible to sit in the House of Lords, and many had vigorous political careers. Ladies might be expected to be decorative, but that could be work, too. Wives, sisters, and daughters managed households, which could be massive and have huge numbers of staff. They were also expected to be responsible for dispensing welfare to the less fortunate.

Younger sons of the very wealthy might be the equivalent of today’s idle rich, depending on someone else’s money for their affluent lifestyle, but everyone else needed to have some way to keep fed, housed and clothed.  I love putting snippets of this into my writing, and I’ve written whole books starring characters with what we’d recognise as a job. I have a maker of invalid chairs, a chef, a house flipper, a horse breeder and others.

I’m currently thinking and imagining a couple of books ahead, and discovering some main characters who are not peers or their families. One, Lucas Mog, appeared in Farewell to Kindness, has a part to play in the current Work in Progress, Unkept Promises, and will be the hero of the next Redepenning book, Flavour of Their Deeds. He is a gamekeeper — but who is he really? One makes a living in a morally objectional fashion. He was an assassin for the British during the Napoleonic Wars, and now kills for a price and to order. He’ll be the hero of an as yet unnamed book for the Common Elements Project. One was tutor and minder to a lonely English boy in far off Naples while the boy had surgery. Now the lad is grown up, an earl, and married, Peter needs a new job. (Yes, this hero has a part in The Beast Next Door, my novella in Valentine’s From Bath.)

This week, give me an excerpt of a character at work — or at least of one who works. Mine is from Unkept Promises. My hero is a naval captain who has been lost from his ship, thank to the machinations of my villain.

Bruised and battered, every muscle aching, sick to the stomach from the sea water he had unwillingly ingested, Jules wanted nothing more than to lie on the sand just above the reach of the waves. But he was wet to the skin and cold to the bone. He needed to move before he froze, and he also needed to find cover before sunrise, because this was almost certainly a beach in enemy France.

He forced himself to his feet. In the dark, all he could do was set his back to the waves and start walking, feeling for each step, his hands before him to fend off any obstacle before it connected with his face. The rain had started again, which at least let him suck in a few drops of fresh water to ease his thirst.

He found a low bank by stumbling over it, stepping up from the sand onto a stiff grass that crunched under his feet. A few yards further on, his hands met leaves. Bushes, and when he pushed between them, they seemed to extend for some distance. He found a hollow in the ground surrounded by the foliage, hoping it would be enough to hide him until he could see well enough to find better concealment and make a plan.

It was a miserable wait for dawn, but at last the landscape emerged from the darkness. He would stick to the coast, he decided, in the hopes of finding a sail boat he could steal. England wasn’t above thirty miles away, though hidden in the persistent drizzle. He would probably not need to sail all the way; the channel was constantly patrolled by British ships.

He kept to the cover of bushes as much as he could, running across any open areas while scanning for other people. In the rain, they could have been almost upon him before he saw them, but all the more reason he would himself stay unobserved.

He also kept an eye out for better shelter; with luck, somewhere he could find dry clothing, or even something to wrap himself in while his own clothing dried. This must be the most deserted, Godforsaken piece of coast in all of France.

Then all of a sudden it wasn’t. Out of the mist came a column of marching soldiers, and Jules was surrounded before he could convince his tired bones of the emergency.

Someone shouted at him: a command by the tone. If it was a question, it was peremptory. I should have paid attention in French lessons, Jules thought. “My regrets, sir,” he said. “I do not understand.”

A rifle butt descended, and he sank into blackness.

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Tea with Aldridge

 

Aldridge paced the room, not able to keep still for a moment, his body expressing the agitation his face refused to display. “He is getting worse, Mama. Whether it would have happened anyway, or whether the arrival of Sutton lit the flame, he lives on the point of explosion.”

“I know, my dear.” She knew better than Aldridge, in fact. Despite the long estrangement between her and her husband, they nonetheless lived in the same house, attended some of the same social gatherings, worked side-by-side for the same political causes. Aldridge kept largely to his own wing when he was under the same roof as his parents, which was increasingly rare. He managed all the vast business of the duchy, but Haverford had long since let go those reins to the extent that his only association with Aldridge tended to be through the bills and notes of hand that arrived regularly to be paid.

Aldridge thumped the mantlepiece. “This latest start… if word gets out that Haverford was behind the attack on Sutton and his family, it will be a disaster. Sutton would be well within his rights to demand Haverford’s trial for attempted murder. This family is no stranger to scandal, Mama, and there’s no doubt in my mind His Grace deserves to be hanged, silken noose or not, but…”

Eleanor’s distress was such she found herself chewing her lip. “Thank God no one was seriously hurt.”

“Thank Sutton and his sons for their warrior-craft, and me for finding out in time to send a rescue.” Aldridge heaved a deep sigh and took another fast turn around the carpet. “He intended murder, Mama, and when I confronted him with it, he laughed and said he did it for England. He has gone too far, Mama. If he is found out, he puts us all at risk. What if the Regent decides to regard a murder attempt on another peer as treason?”

Eleanor had not considered that possibility. The title could be attained, the lineage considered corrupt. Aldridge had worked for years to rebuild the wealth of the duchy after his father’s mismanagement. He could lose it all, including the title, and the Prince would be delighted to benefit.

Haverford had become more and more erratic as the year progressed. He insulted and alarmed other people at every event he attended, completely ignoring social conventions and saying whatever he thought, often using the foulest of language. Thankfully, he was showing less and less inclination to go into Polite Society. Even so, the duchess frequently needed to use all her considerable tact and diplomacy to soothe ruffled feathers and quiet the gossip that claimed the duke was going mad.

“He is going mad,” she acknowledged to her son, the one person in the world who could be trusted with the knowledge. “It is the French Disease, I am sure. It is rotting his brain.”

“We cannot bring in doctors to examine him, Mama. Who knows what would come of that; what he would say and who they would tell? He cannot be allowed to continue, however.”

Eleanor frowned. It was a conundrum. Who could prevent a duke from doing whatever he pleased?

Aldridge, apparently. “I have made arrangements. He has been persuaded to travel to Haverford Castle. When he arrives, trusted servants know to keep him there. He will be comfortable, Mama. I have arranged for him to be entertained, and have nurses on hand in case he needs them. The disease will kill him in the next year or two, probably, and he is likely to be bedridden long before the end.”

He was brave, her son. He was breaking the laws of God and man in showing such disobedience to his father and a peer of the realm. She was sure God would understand, but the Courts might not. She would not ask about the entertainment Aldridge had provided. Knowing Haverford as she did, she did not want to know details. “He must never be set free,” she concluded. Should anyone find out he was insane, the scandal would be enormous. Worse still for Aldridge.

“Never,” Aldridge agreed. “My instructions are to keep him from understanding he is imprisoned for as long as possible. With luck, the confusion in his mind will prevent him from ever working it out. I needed you to know, Mama, for two reasons. First, we need a story for the ton. Second, if anything happens to me, it will be for you to keep him confined until Jon returns to be heir in my place.”

“I hope dear Jonathan comes home soon, Aldridge. I miss my son. But do not speak of your demise, my dear. I could not bear it.”

Aldridge stopped beside her and bent to kiss her forehead. “You are the strongest woman I know, dearest. Fret not. I am careful, and I intend to live to grow old.”

Eleanor hoped so. She certainly hoped so.

 

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Historical? Romance? Or Thriller? If the genre fits, wear it!

I’ve always had trouble categorising my fiction, which in one sense isn’t a problem. After all, genre is a device for shelving books.

In another sense, it doesn’t help. Booksellers — including Amazon — use genre for sorting books and showing them to readers. If I’m not clear what I’m writing, my books are likely to go to readers who don’t want them!

My weekend at the first New Zealand crime and thrillers convention, RotoruaNoir, has helped me clarify my thinking. Especially my preparation for the panel discussion on Genre Blending. I represented historical romance on the panel. Other members represented horror, young adult, and contemporary romance.

So here’s where I’ve got to. So far, what I’ve written represents any two and up to all three of historical fiction, romance, and crime/mystery.

I write historical fiction

Historical fiction is fiction that is is set in the past and pays attention to the manners, social conditions and other details of the story’s setting in time and place. Such stories may focus on major historical events and characters, but even if they don’t, they should at least recognise such events when they’ve recently happened, or are happening, during the time period of the story.

All but three of my stories (so far) are set in the past, most in the Regency era. I love historical detail, and do a lot of research to get it right. I try to create characters that could only have existed in that time and place, and the events and activities that are natural for people like that in a time like that. Some readers find my women too stroppy and independent for their times. I disagree. History is full of women who defied the current norms to forge their own path. Also, many people judge the whole of society by the pampered debutantes in their gilded cages. To take one example, people have commented on my character Minerva Bradford, who ran a workshop that made invalid chairs. She would not have been unusual for her time. Women of crafter families had always been crafters themselves. Indeed, part of the story is that Minerva’s family is upwardly mobile, and her father wants Minerva to give up the work and become a social ornament, like her betters.

(Not all historical romances are also historical fiction. Some are stories that could happen anywhere or anytime, but the gowns and cravats are a nice added touch. I don’t write those, but I’ve enjoyed quite a few.)

I write romance

Romance is fiction about two people (except at the menage edges of the genre) who fall in love, face challenges, and finish the story with a strong possibility of happiness together. Romance is a subset of the love story category. What sets it apart is the happy ending. I’ve always taken ‘happy ever after’ as meaning ‘having resolved conflicts in a way that gives us hope they will resolve the conflicts that are yet to come as they live their lives together’. Romance is a broad category that includes historical, contemporary, paranormal, science fiction, and suspense. It can also be categorised by the gender, species, and number of the participants, and by the ‘heat’ level — that is, by the emphasis on and level of specific detail in the sex scenes.

I believe in happy endings. I’m living one myself, and so have all my siblings and my husband’s siblings. True love isn’t magic and it isn’t easy, but it is possible and worthwhile. The ending of the written story is the beginning of a life together, which will have its ups and downs, but empathy and commitment will see the couple through. Those are my kind of romances. I’m not one to add a sex scene for the sake of it, but I don’t shy away from leaving the door open in the plot or character development require. Heat level is anything from ‘sweet’ to ‘moderate’.

I’ve written across a number of romance subgenres. Contemporary suspense. Historical suspense. Paranormal suspense. Straight historical. At the heart of it are two people in the crucible of initial attraction, learning about one another and growing to be more than they could have been alone.

I write suspense

The last category I write in is crime/mystery. This is another huge genre with blurred edges. People seem to use the term mystery for stories about solving a crime. Crime is a bit broader, including the effects of the crime. RotoruaNoir had writers from across the spectrum of the genre (most of the following can be contemporary, historical, paranormal, or sf): cosy/traditional, noir (gritty and pessimistic), hard-boiled private investigator, police procedural, spy/espionage, suspense, and thriller.

I’m struggling to fit mine in there. They’re not cosy, since they don’t shy away from gritty detail, but they’re certainly not pessimistic. I do have a private investigator, but he isn’t hard-boiled. Not police procedural. Espionage can be an element. Thriller is about high stakes and swift actions, which might be close to some of my plots. Suspense is probably closest — characters confronting evil and overcoming danger.

I knew I had romance in all my suspense stories. But I went through my titles and listed all the plot lines. With rare exceptions, they all involve solving crimes, from fraud and intimidation to blackmail, people trafficking, and murder. Turns out I have suspense in almost all of my romance stories. Certainly, all three of my contemporary romances are also suspense.

 

So this leaves me needed a new strapline

Okay. So far so good. The first step to fixing a marketing problem is to diagnose the problem. If I didn’t know what I did myself, I can hardly expect to attract readers who like it.

I’m okay with Jude Knight Storyteller as an overall brand. It covers the fact that I don’t stick to one genre but write in the overlap between them. I tell stories. But the visual imagery and the strapline (Stories to thrill, intrigue and delight) could do with some work. Watch this space.

 

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Getting dressed in Regency England

This week, I thought you might like to see what goes into getting our heroines and heroes dressed.

First, the heroines:

 

And now for the heroes. This is from the movie about Beau Brummel. If you’re shy, don’t watch the beginning. (The shirt would have been put on over the head, with buttons only at the neck. But hey.)

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Haunted by the past on WIP Wednesday

Our heroes and heroines need a past, and in my kind of book, something about that past needs to still bother them.

I love stories where we get an early glimpse of this vulnerability, without lengthy backstory, then more and more comes out as the story unwinds. I was at a crime and thriller conference last weekend, and on a panel with Kirsten McKenzie, whose horror/crime story Painted does this to beautiful effect for both the horror and the crime plot threads. I didn’t finish the book until the trip home, and the others on the panel were all trying to discuss the history that motivated the key characters without giving away the key points. (Sorry, folks.)

Sometimes, readers of a series know at least some of what tears at the hero’s heart or the heroine’s, but we don’t know about the wounds of the other protagonist. Charles, in Caroline Warfield’s Children of Empire has kept his dignity despite his estranged wife’s lies and betrayals. We know this because those lies also hurt Charles’s cousins, each of whom stars in one of the previous two books. We learn more, and from Charles’s POV, but we also need to find out what drives Zambak to the other side of the world, where she and Charles will have to deal with their separate pasts as well as the budding Opium Wars, Zambak’s brother, a callous villain, and small-minded local society.

I could go on — in my favourite books, people all have pasts, and an important part of the story is them coming to terms with who they are because of that past.

This week, I’m asking you to share a passage where your characters share part of their past. It could be highly significant, like the books I’ve mentioned above, or it could be something quite minor. Mine is from To Win a Proper Lady: The Bluestocking and the Barbarian, which I’m rewriting as a novellisation of the novella I wrote for Holly and Hopeful Hearts. In this passage, I hint at a backstory that won’t become clear until book three of the series. Hint. The heroine of To Tame the Wicked Rake: The Saint and the Sinner, is Charlotte Winderfield. The hero is Aldridge.

Charlotte indicated the closed bedchamber door with an inclination of her head. “I take it Grandfather has heard that the Duke of Haverford has run mad,” she said.

“Mad like a fox,” James answered. “He has given up on the claim that my father is not the son His Grace of Winshire lost so many years ago. With our esteemed progenitor and Aunt Georgie both recognising him, that was a lost cause. He thinks to convince his peers that they don’t want half breeds living among them, dancing and worse with their daughters. It will be a simple thing, he thinks, to prove my parent’s marriage a fiction, and all of their children barred from my grandfather’s title.”

“Take a seat, James, and don’t loom over me. You don’t think it will be a simple thing?”

James obeyed, lowering himself into the chair opposite hers. “I think the man a fool for underestimating the King of the Mountains. You have heard our grandsire’s solution for swaying opinion our way?”

She had, of course. That was clear from the way she examined his face before she spoke; a considering look, as if wondering how much to trust him. “It is a good idea for you to marry an English girl with impeccable bloodlines.” With a snap, she closed the open book that was sitting on her knee. “That girl will not be me, James. I mean no offence, but I will not marry you, whatever Grandfather might say. I do not intend to wed, ever.”

“Thank you for telling me. Perhaps, you would be kind enough to help me find a bride that will fit the duke’s requirements and my own?”

“And what might your requirements be?” Charlotte asked.

“Someone I could grow to love. Someone who could be my friend and partner, as well as my wife.”

“You are a romantic, cousin. I warn you, Haverford is powerful. He will make it hard to find a girl from the right family who will accept you, despite our family’s name and your father’s wealth. Finding one who is your match may be impossible.”

James looked down at his hands. If she thought him romantic, she would be certain of it in the next moment. “Perhaps I have found her already. What can you tell me of Lady Sophia Belvoir?”

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Tea with Grace

 

Her Grace of Haverford enters the side door at Fournier’s. No one, not even her husband, would remark on her calling into a restaurant outside of opening hours, particularly one owned by protégés. Still, she does not wish to call His Grace’s attention to her visit. Her servants, she is certain, would keep her secrets — but it would be unfair to put their loyalties in conflict.

She spends a few minutes asking the restaurateur’s wife questions about her children. Though she is anxious to begin her private meeting, politeness is always important, and Cecilia and Marcel Fournier are very dear to her. Soon, though, Cecilia ushers her to the private room she was instructed to ask for.

Grace is already there. “Eleanor! You came.”

“Of course.” Eleanor hugs this dear friend. They have known each other since they were children, grieved together when Grace’s brother was exiled and believed dead, supported one another through the miseries of marriage to selfish brutal promiscuous men, rejoiced in one another’s children, worked together to better the lot of women whose marital unhappiness was made worse by poverty. They shared so much history, and now the respective heads of their families had decreed they must be enemies.

They both sit, and Grace turns to the waiting tea service and the calming ritual of afternoon tea.

“How are you managing, my dear Grace? How are the twins?” Eleanor asks.

“Better than I had hoped. You assured me James would not have changed. He is older, of course, and much more commanding. I can imagine him as the king the papers call him. But he is still the kind man you remember from our first Season. He promises that the girls and I will want for nothing, and may live wherever we please when Winshire finally releases our reins.”

Eleanor looks down at her cup. “I have seen him. Just in passing, at the Monteforte Ball, before Haverford decreed that none of us may attend any event attended by Sutton and his children. Sutton looks well, Grace. He had two young men and a young woman with him.”

“Elfingham, his eldest, and Drew, the fourth son. They are fine young men, Eleanor, even if they are part-Persian. Sutton brought six of his children with him. The two sons you saw, plus two sons still in the schoolroom, and two daughters. The youngest is of an age to be presented, but we — Georgie and I — suggested she wait until next year. By then, all this nonsense will be over.”

“I hope so. What Sutton must be thinking!” James, now Earl of Sutton and heir to his father the Duke of Winshire in place of two deceased older brothers, faces having to prove the legitimacy of his marriage and his children to a committee of the House of Lords. Thanks to Eleanor’s husband, who is claiming that the foreign-born wife was a mistress and the half-breed children an abomination that must not be forced on English Society.

Grace gave a short laugh. “James just smiles, and says the marriage was legal, his children are legitimate, and Haverford is an ass. I beg your pardon, Eleanor.”

Haverford is being an ass, which is not unusual. Eleanor is not going to say so, even in private to this dear friend. She takes another sip of her tea.

“Winshire is in a rare taking, and declares that none of us may speak or even acknowledge any of you.” Grace sighs. “It will be very awkward.”

Eleanor echoes the sigh. “We must decide how to manage our committees, and how to make managing the conflict easier for hostesses who would normally invite us both.” She met her friend’s eyes, a twinkle in her own. “Co-ordinating our social calendars so we obey our respective tyrants may require weekly meetings, dear Grace.”

Grace chuckles. “After all,” she says, “making sure our families don’t mingle is a sort of obedience, is it not?”

***

This is a background scene that won’t appear somewhere at the beginning of To Win a Proper Lady: The Bluestocking and the Barbarian. Haverford’s attempt to have Sutton’s marriage declared invalid is part of that book, which I’m currently expanding into a novel from the novella that was in Holly and Hopeful Hearts. Haverford’s motivation is that he and Sutton were once rivals for Eleanor’s hand. Eleanor preferred Sutton, and Haverford conspired with Sutton’s father to have him exiled. Haverford won a wife, but never her heart.

 

 

by

Join the library! (Regency-style)

My heroine Charis didn’t like much about the social rounds in Bath. Had her mother been prepared to pay the subscription she would have enjoyed the circulating library.

By 1814, many towns and most cities had at least one circulating library, perhaps run by a bookstore or printer, but often a stand-alone business. Books were expensive. A 3-volume novel cost the equivalent of 100 dollars in today’s money. Paying a yearly subscription to a library meant you could borrow books that would otherwise be out of your reach.

Rules for a Subscription Library

Circulating libraries became social places, where ladies could meet and be seen. The reading rooms often offered games, and the libraries might also sell other merchandise.

As a member, you could purchase a copy of the library’s catalogue (for about sixpence). You could choose your book from the catalogue, and take a couple home, then another couple when you’d finished those ones. (The number you could borrow at a time varied from library to library.)

What would they think of my library, which I ‘visit’ over the Internet, and which allows me to download 15 ebooks at a time? Or, for that matter, my personal ebook collection, which numbers in the 1000s, many of which have cost me less than five dollars?

(Charis appears in The Beast Next Door, a novella in Valentines from Bath.)

Also see:

The Circulating Library in Regency Times: https://janeaustensworld.wordpress.com/2010/08/30/the-circulating-library-in-regency-times/

The Circulating Library:

https://janeaustensworld.wordpress.com/2010/08/30/the-circulating-library-in-regency-times/